by Clare Amos
This was an address given at a
service of prayers held during the consultation. In a service
of prayer being held during a consultation about Christian engagement with
other faiths – especially Islam – it seems good to spend a few minutes
exploring the icon “Christ is our reconciliation.” (The icon can be viewed at
http://www.paxchristi.org.uk/documents/Ic on.pdf) This icon has fascinated me
ever since I first caught sight of it in St Ethelburga’s Church in London. St
Ethelburga’s is a church in the City of London which was destroyed by an IRA
bomb in 1993 – and then reopened 10 years later as a centre specifically
dedicated to the work of Reconciliation and Peace. These days a particular
focus of its work involves reconciliation between people of different faiths.
So it was a very apt place to come across this icon. Across the middle of the
icon you can see those words written in Greek and Latin and Hebrew – languages
chosen of course to echo the languages that were used to write up the
inscription on Christ’s own cross.
Appropriately for an icon which has the
desire for reconciliation as its meaning, it was created shortly before the
millennium in the Holy Land at a Greek Catholic monastery called St John in the
desert, just outside Jerusalem. Implicitly written into the different scenes of
the icon therefore is the passion and pain of the Middle East and the Holy Land
today and its need for reconciliation at so many levels: between Israel and
Palestinians, between the three Abrahamic faiths, Jews, Christians and Muslims,
between Eastern and Western Christians, and even between Eastern rite Catholics
“Greek Catholics” and their more numerous Western rite, Roman Catholic brothers
and sisters. In my reflections in the next few minutes I will be focusing on
the main central scene of the icon – the reconciliation between the two
brothers, Jacob and Esau. I will also talk more briefly about the two smaller
scenes halfway down on the left and right of the picture – which illustrate the
stories of Sarah and Isaac, and Hagar and Ishmael. And I will conclude with a
short comment on the scene depicted in the picture in the bottom left hand
corner of the icon, the account of Jesus meeting with the woman at the well of
Samaria, which we have just read as our second biblical lesson. Looking over
all the scenes and embracing them in his arms is the figure of Christ. I see
this as a symbol of the way that Christ invites figures of the past, present
and future – the past of the Old Testament, the present of the New and the
future of the life of the Church – to share in his ministry of reconciliation.
“Esau ran to meet Jacob, and fell on
his neck and kissed him and they wept.” It is these words from Genesis 33 that
set the scene that the icon is illustrating. Yet to understand the full power
of the scene and the story – what it has to say to us about reconciliation and
how we are incomplete without the other – we need also to turn earlier episodes
in the story of Jacob. Both the icon and the biblical text hint at this: the
icon through the mysterious incorporation of the ladder into the background, a ladder
that actually relates to the experience of Jacob at Bethel, in Genesis 28,
several chapters earlier in the story – and the biblical text through those
words of Jacob to his brother at their meeting, “Truly to see your face is like
seeing the face of God, with such grace or favour you have received me.” They
are words which both Jacob – and we – have quite literally to wrestle with if
we wish to appropriate the exquisite yet demanding grace of what he – and we
his spiritual descendants – are being offered. To understand them we need to
dig deep into the whole of the book of Genesis.
I believe that there are two great
themes in Genesis, which ultimately cannot be separated. The first is that
human beings have been created as the image – or as the Greek translation of
the Old Testament actually puts it – the icon of God. The second theme is that
the number two, a sense of duality, is written into the fabric of creation.
Think for example about how creation happens through a series of splits and
pairs - light and darkness, land and sea, male and female.
This rhythm of twoness is emphasized by
the steady refrain at the end of each day – there was evening and morning. Yet
this creation is the expression of a God of whom it is said, “Hear O Israel the
Lord is one” and of whom Christians believe that he is unity in Trinity, unity
in relationship. So the question the writer of Genesis is posing throughout the
book is how can or should the one and the two relate to each other so that
neither dominates or disappears? Both unity and duality are necessary. And it
is the task of human beings to live at the very heart of this conundrum – as
created beings to be part of the world of duality in which ‘otherness’ is
important and honoured, and yet also, because we are made in the image of God,
to reflect also within ourselves the divine unity.
We are if you like to be a sort of
sacrament, showing through our human life, just what it means to be incomplete
without the other. This is the tension which Genesis explores, initially
through the tale of a man and a woman – but then, and for most of the book
through the stories of brothers. The question of what it means to be a brother
is visited again and again. It is as if the book is telling us – if this can be
got right, then the relationship between human beings and God can become what
it was always intended to be. But nowhere in Genesis does ‘brotherhood’ get
explored as seriously as in the story of Jacob and Esau. It is ‘the’
issue which binds together this entire section of the book.
The story of these particular two
brothers is recounted with an intensity unparalleled elsewhere in Genesis. In
part this is a reflection of the intimacy of the relationship between Jacob and
Esau, not merely even full brothers, but actually twins sharing the same womb.
When I wrote a commentary on Genesis I called this section ‘Double trouble’,
for the comparisons and contrasts between Jacob and Esau challenge us with the
possibilities and problems inherent in the number two. Let us take up the tale
of Jacob and Esau at the moment when Jacob has been forced to flee to escape
the anger of his brother Esau, after he has deceived his father and stolen
Esau’s blessing. Despondent, he is on his way to what will prove to be twenty
long hard years of exile.
At a place called Bethel – the name
means ‘House of God’ – Jacob sees a ladder which stretches between earth and
heaven, with angels going up upon it, and even catches a vision of God himself
standing by the ladder. That is the ladder shown in our icon. In the ancient
world temples were built to be the earthly house of a god, places where their
worshippers would come to meet them and sense their protection. And so in
Jacob’s night vision the ladder was there to link God’s heavenly and earthly
dwellings, and Bethel is living up to its very name, which means ‘House of
God’. Yet then the words that God then speaks to Jacob subvert the very
rationale for this holy place – effectively declaring it redundant. For God
promises to be with Jacob ‘wherever you go’.
Normally worshippers had to come to a
particular holy building, a temple, to find their god – that was their
essential purpose: but God assures Jacob that he can find him anywhere. This is
a God who is not confined by a building or even a holy land. He will be Jacob’s
travelling companion – but on his own terms. And in doing, so God will offer
Jacob an immense challenge. For one way of reading the story of Jacob’s
experience at Bethel is to suggest that God’s promise to Jacob to travel with him
was effectively offering Jacob the opportunity to be the gateway to God for
others. But it was not an opportunity that Jacob is yet brave enough to accept.
We move fast forward 20 years – and to
Jacob’s eventual return to his homeland. And just as the meeting with God by
the ladder at Bethel marked the beginning of Jacob’s journey into exile – away
from his homeland, afraid of his brother – there is another equally mysterious
meeting with the divine that takes place on his return,. It is a wrestling bout
with an angel that takes place at a river ford called Penuel, a place whose
name means the “Face of God”. This is described in Genesis 32.22- 32. We shall
discover it is strangely interconnected with the meeting Jacob has the next day
with his brother Esau in Genesis 33 – that scene depicted on our icon. These
two means by which Jacob meet God at this point approach the profoundest
insights of biblical spirituality. The key which links them both is the word
‘face’.
One of the interesting things about Jacob
is that up till now he has never found it easy to look people in the face,
especially his brother. His very name means ‘heel’ and as befits someone of
that name he has always been a ‘behind’ sort of person. But when he wrestles
with the angel in the passage we have just read he has no choice: it is a face-to-face
encounter.
Rembrandt has painted an inspired
picture of this scene. In it Jacob is being held by the divine wrestler in such
a way that his head is gradually being forced round so that he is compelled to
look his opponent in the face. He will not be allowed to avoid confronting his
past, his present and his future.. There is an incredible frisson to the
moment: Jacob is all too aware that to look on the face of God in this way was
dangerous – yet it was also his only means of healing. Jacob’s cry as the
struggle comes to its close, ‘I have seen God face to face, and yet my life has
been preserved’ is a cry of both exultation and wonder.
The new name – Israel – that he is
granted as an apparent blessing through his struggle expresses the ambiguity.
For, according to the biblical writer, ‘Israel’ means ‘the one who strives with
God’. What a name and a destiny for Jacob to bequeath to his descendants! Is it
a blessing to struggle with God, or is it the reverse? Elie Wiesel, writing out
of the experience of the Nazi holocaust, speaks of the “eternal struggle” of
the Jewish people, “in more than one land, during more than one night.” Back in
1940 the Jewish sculptor Jacob Epstein sculpted an extraordinary portrayal of
the two figures wrestling. It can be viewed in the Tate Britain gallery in
London. Epstein’s sculpture was created in the knowledge of the terrible
suffering the Jewish people were already enduring at that time.
The embrace of Jacob by the angel – is
tight, so tight that it must have been painful, almost forcing the breath out
of him. And yet the massive angel also seems to be supporting the frailer
figure with which he is interlocked. The way the statue portrays the intimacy
between Jacob and the angel is remarkable – it feels almost shocking. It is a
sharp reminder that for God to touch us, and allow himself to be touched, costs
God. It foreshadows the intimate relationship God will have with the prophets.
Perhaps it also foreshadows the intimacy of incarnation? Words like
“incarnation” are Christian terminology, yet it is telling that the Jewish Elie
Wiesel writes again, “God does not wait for man at the end of the road, the termination
of exile; he accompanies him there. More than that: He is the road, He is the
exile. God holds both ends of the rope, He is present in every extremity, He is
every limit. He is part of Jacob as He is part of Esau.” What might this have
to say to us as Christian church people and scholars as we reflect on our
engagement with people of other faiths?
But all too often people fail to
realize that the story of Jacob’s encounter with God’s face does not stop here
in chapter 32. After this painful night struggle that has resulted in his
wounding – though also his new name – next morning the sun rises. Careful
readers of the story of Jacob can notice that this is the first time we read of
the sun rising since we were told of its setting more than twenty years before
as Jacob approached Bethel. This new day seems to herald a new future and new
possibilities. And the new future is fleshed in reality when Jacob finally
meets the brother, Esau, whom he once deceived so bitterly and has feared so
long, to be greeted with a graciousness which surprises him. Those words that
Jacob uses in response to Esau’s welcome perhaps offer the profoundest biblical
summary of what reconciliation can and should mean. They so often pass
unnoticed – but they are at the heart of this story. “Accept my present from my
hand; for truly to see your face is like seeing the face of God – since you
have received me with such favour.” This brother has become a “holy place” for
Jacob, the gateway by which he can meet God. Without this brother Jacob is
incomplete. Esau seems to have accepted the challenge which Jacob was too
afraid to accept all those years ago at Bethel.
Jacob’s experiences of the previous
dark night and this bright morning somehow mysteriously coalesce – there are
Jewish traditions that suggest that Jacob’s divine assailant at the river
crossing was none other than the guardian angel of Esau, or perhaps the nation
of Edom, of which Esau was to be the ancestor. We need to read both episodes
together. That Jacob had to struggle so hard for the blessing, and was wounded
in the struggle, is a rightful reminder of how costly reconciliation can – and
sometimes should – be. As Dietrich Bonhoeffer once commented there must be no
“cheap grace”.
Likewise reconciliation if it is to be
authentic must never be easy or “cheap.” Any who wish legitimately to claim the
name “Israel” given to Jacob that night by the river must be prepared to
continue the dual and interlocking struggle, “wrestling” for reconciliation
both with God and with their brothers and sisters, and discovering that the
‘face’ of each illuminates the other. In that struggle is the blessing. Take
another look at the icon. Now you can realize why the ladder is there as the
background to the embrace and reconciliation of Jacob and Esau. I think the
icon painter is telling us that it is only when Jacob and Esau are reconciled
in this way that the ladder really can span from earth to heaven. It is only
when human beings can see the face of God in one another that the holy place of
God’s presence can really be manifested here on earth.
There is a wonderful traditional and
humorous Middle Eastern tale that expresses this perfectly:
Two brothers worked together on a
family farm. One was unmarried and the other married with children. They shared
what they grew equally as they always did, produce and profit. But one day the
single brother said to himself, “You know, it’s not right that we should share
the produce equally, and the profit too. After all I’m all alone, just by
myself and my needs are simple. But there is my poor brother with a wife and
all those children.” So in the middle of the night he took a sack of grain from
his bin, crept over the field between their houses and dumped it in his
brother’s bin. Meanwhile, unknown to him, his brother had the same thought. He
said to himself, “It is not right that we should share produce and profit
equally. After all, I am married and I have my wife to look after me and my
children for years to come. But my brother has no one to take care of his
future.” So he too, in the middle of the night, took to taking a sack of grain
from his bin and sneaking across the field to deposit it in his brother’s. And
both were puzzled for years as to why their supply did not dwindle.
Well, one night it just so
happened that they both set out for each other’s house at the same time. In the
dark they bumped into each other carrying their sacks. Each was startled, but
then it slowly dawned on them what was happening. They dropped their sacks and
embraced one another. Suddenly the dark sky lit up and a voice from heaven
spoke, “Here at last is the place where I will build my Temple. For where
brothers meet in love, there my Presence shall dwell.”
The Old Testament will never again
wrestle quite so powerfully with this topic of brotherhood. It is as though it
is too painful to do so. Human beings cannot bear so much reality. It is easier
for Jacob to travel to Canaan and Esau to Edom, rather than live together face
to face. But once on a dark night and a sunlit morning we were given a glimpse
that we cannot ignore. This blessing will not be taken from us.
But before I conclude – those two other
parts of the icon that I want to comment on very briefly: first the scenes of
Sarah and Isaac on the one side and Hagar and Ishmael on the other. I suspect
that the two different scenes are intended to recall the respective positions
of those such as Christians and Jews, who honour Sarah and Isaac as their
forbears in the faith, and those, such as Muslims who turn to Hagar and
Ishmael. It is perhaps no accident that there is such a distance between the
two scenes: it speaks of the sometimes tense and conflicted nature of our
mutual relationships.
Unlike Esau and Jacob was there ever
reconciliation between Isaac and Ishmael and their respective mothers? Well,
just perhaps. There is an intriguing line in the birth oracle of Ishmael in
Genesis 16. Normally it is translated as “Ishmael will live in hostility with
all his brothers.” But significantly it is also possible to translate the line
as “Ishmael will live alongside his brothers”. Perhaps the destiny of the
Middle East, Christian-Muslim engagement, even the life of our world,
lies caught between these two possibilities.
And secondly the scene of Jesus’ encounter
between Jesus and the woman at the well of Samaria, which you can see in the
bottom left corner and which we had read as our New Testament lesson. It is a
passage of extraordinary richness – which offers such a variety of insights
that there is no hope of doing it justice in these few remaining words. For our
purposes here it is interesting to note that some Christian scholars of Islam
compare the relationship of Jews and Samaritans in the time of Jesus, with that
of Christians and Muslims in our world of today. In both cases we are speaking
of sibling faiths – yet ones whose very proximity to each other can lead to
distance and bitter hostility. But there is one thing that I cannot resist
pointing out. You will be aware that one of the features of John’s Gospel is
Jesus’ repeated declaration of himself as “I am”, an apparent claim to the
divine name. Some of these “I am” statements include a predicate such as “I am
the bread of life”. But some of the “I am” statements do not, and these are
harder to recognise in the text because they are often half hidden in the
translation.
The very first “I am” statement in
John’s Gospel occurs here in this encounter between Jesus and the woman. In
verse 26, towards the end of their conversation Jesus proclaims, “I am, the one
who is speaking to you”. Isn’t it extraordinary that the first time Jesus
speaks clearly of his real nature, it would be to a woman, a member of a
different religious community to his own, and a person of apparent ill repute?
Might that just possibly be hinting to us that it is through our engagement
with ‘the other’ that we can come to a truer revelation and understanding of
who God is, that God discloses himself to us in our relationship with others? I
leave you with that tantalising thought.
And what might the stories depicted on
this icon mean in our world today?
It seems fitting to end with a
challenge offered by Archbishop Elias Chacour, a Palestinian Christian, writing
from the context of one of the most intractable conflicts of our world today:
The true icon is your neighbour,
the human being who has been created in the image and with the likeness of God.
How beautiful it is when our eyes are transfigured and we see that our
neighbour is the icon of God, and that you, and you, and I – we are all the
icons of God. How serious it is when we hate the image of God, whoever that may
be, whether a Jew or a Palestinian. How serious it is when we cannot go and
say, ‘I am sorry about the icon of God who was hurt by my behaviour.’ We all
need to be transfigured so we can recognise the glory of God in one another.
Clare Amos became Programme
Coordinator and Executive for
Interreligious Dialogue and Cooperation at the World Council of Churches in
September 2011. At the time she delivered this address during the October 2008
consultation she was Director of Theological Studies in the Anglican Communion
Office, London, including holding responsibility for inter faith dialogue.
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